Naija Common music – The Sound Of Nigeria. For all those individuals not familiar with Naija Music – here is the sound emanating from the Nigerian Well-known music scene. African well-known music is, around the whole, as diverse because the cultures found through the entire continent with every region enjoying its very own unique kind of music accompanied by a range of instruments many Westerners are not familiar with.
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Nigerian Popular music includes everything from Folk Popular music to a lot of the Common Music found through the entire world. There are numerous indigenous and ethnic peoples in Nigerian – therefore it must not be surprising that every ethnic group enjoys its very own unique music flavour and instrumentals, poetry and music style.
Are you aware, as an example, that traditional common music found in Nigeria is closely linked to its agriculture, with certain instruments not being able to be played during various seasons? Labour songs are a common type of indigenous Nigerian popular music that helps to keep the rhythm of workers in fields and also the river canoes (think slave songs in the Deep South).
The story is usually told about the mother cheetah who comes back home from your hunt to find her cubs have already been trampled to death by elephants. Realizing that she actually is no match for these giants, she blames and kills a herd of goats. Similarly, when a small group of Kenyan musicians took towards the streets a week ago calling for less Nigerian and Tanzanian common music, they were killing goats. The elephant in this case is history. However, not history is a match for innovation.
It’s funny, however the country music star Kenny Rogers comes to Kenya today, charge an arm along with a leg, and play a month of sold-out stadium gigs. Yet his heyday is at the ‘80s. The same holds true for top-tier Nigerian acts. Their time, however, is now. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the potential risk of being charged with raising ‘that old trope,’ it all began with the erosion in our culture once the colonialists came. Colonialism eroded Kenyan culture I daresay a lot more than it did in West Africa, in Uganda, in Tanzania. Kenya was a settler state. The Brits had no plans of going anywhere. Ever. And in their assistance, and under duress, we threw the culture baby out with the pagan bath water and planted the Church and the Union Jack within the scene from the crime dressed up in mandatory, state-issued calico cloth threatened by the physical and mental whips in our settler masters. And when the new government in independent Kenya clamped upon the Funk movement from the late 70s in addition to all the other artistic expression, threatening and jailing academics within the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to become satiated and sedated by the likes of ABBA, The Bee Gees and also the Beatles. Homegrown innovation had been dealt a blow that would take us decades to recover from. I had been born middle class (and English-speaking) inside the ‘70s. My predilection for many things Western was established early in life. I would personally be irritated, nay embarrassed, when I’d get back home from school and discover the housekeeper blasting ‘that shady Rhumba.’ Once I began my music career inside the 90s there weren’t many Kenyan musicians to check approximately. Anybody who had was able to record anything had been condemned by society to dying, drunk or living poor, a direct result ‘loose morals and bad choices.’
I’m always slightly embarrassed when I introduce myself to folks I meet around the continent. I’m ‘Eric,’ whilst the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even as the Tanzanians could be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili by using these ease and fluidity having studied subjects like Biology inside their national language. The Kiswahili language rolls off their tongues like honey towards the easy beat of Bongo Flavour, as near that you can reach Zouk singing on dry land. Because of this, in Tanzania, American Idol loses pride of location to Project Bongo, possible show centering on homegrown talent. Conversely, urban Kenyans get so far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by as low as a highway have different names for the similar thing. Sheng dictionaries become obsolete by the time they visit press, owing to the rapidity in the change of vocabulary. A Sheng speaker can date one to within a year of your birth, locate your property to in a street through the word you make use of for ‘car’ or ‘mobile phone.’ In the rural areas, Kiswahili is just as foreign as Greek, and is spoken only by those who may have picked it up at school or by those ethnicities whose ethnic language shares a typical Bantu base with Kiswahili, similar to that between Italian and Spanish. We claim to get a national language. Listen again.