“Everybody wants to understand art. Why not try to be aware of the song of the bird?…those who try to explain pictures are usually barking in the wrong tree.” – Pablo Picasso
What Picasso says about understanding art is extremely relevant to the way we approach Large Abstract Painting. Lots of people believe that abstract paintings will need to have a certain concept of some type, which may be clearly understood and articulated only if they knew how. This misconception is not really helped through the endless availability of people willing to spout nonsense as to what they think the artist was trying to say. The almost inevitable results of this case is the fact that people may either feel as though these are being excluded from sharing in a few secret knowledge, or alternatively conclude that abstract painting is certainly all a sham. In either case, the end result is the fact lots of people do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark so far as my own, personal paintings are involved. Basically If I had a specific message or even a which means I could articulate in words, i then would articulate it in words – the painting could have no purpose. The complete point of creating an abstract painting is it embodies something that only it can, in a way that cannot be placed into words. It is not an essay this is a painting – it encompasses and expresses things in a language that is certainly unique for the medium of paint. This is why we need to not attempt to ‘understand’ abstract paintings in the manner people sometimes feel they ought so that you can.
The viewer should not choose a clear narrative within an abstract painting – it is not going to tell a story, or refer to an external ‘subject’ in the same manner which a figurative painting will. But that does not always mean there is not any meaning or no subject, or that abstract paintings cannot get in touch with and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am the niche”. Pollock’s statement is not just true, it really is inevitable.
The experiences, personality, memories and mood in the black and white abstract art cannot help but be fed in to the painting in the event the artist approaches the work inside an open and honest way. I do not need an outside subject or idea before I can create a painting – I simply begin. The fact that I am me without any-one else is why my work different to anyone else’s, and the same is true of all the artists. The colours I choose, the marks a make, the accidents I select to leave, or even to obliterate, these are all things which i choose due to who I am.
If you decide to present many different artists with similar basic design on a canvas and make them pick up a brush and develop the painting, the variations in the things they would choose to do would be enormous. I have watched other abstract artists at work on paintings and thought “I might never in a million years have selected that colour and put it there.” Not because I think it is wrong or bad, but since they are who they really are and (to quote that other leading artist, Morrisey!) “only I am I”.
Abstract paintings – There are lots of great varieties of painting on the market, as a result of a wealthy art history which has seen movement after movement. The word abstract art is frequently used a blanket term to explain non-representational art – that is the lack of recognisable subjects. Abstract art was connected to the rise of modernism during the last century, getting into the mainstream with abstract expressionism in post-war art but still continuing to influence artists today.
What brought concerning the qualities we percieve in abstract art? The flattening of the artist’s canvas surface is one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With the invention of photography releasing the artist from painting as a way of recording reality, they began seeing the canvas surface as an object in the own right, with the canvas as being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and started to form its ignqsj qualities according to the way it was handled. The paint could exhibit ‘personality’, it had its own dimensions and opened up an array of different techniques we see in artwork through the last century. One of the main reasons artists began painting in Black And White Painting was the opportunities for greater creativity. It allowed to get a greater selection of expression and the creation of ideas that were not dependent on representing reality anymore.